Top Gun: Maverick
Movies and TV
-
Top Gun: Maverick asks telling questions of the subjugation of the individual in the face of the primacy of television through its use of subversive semiotics.
-
😂
-
Through the masking of narrative, Top Gun: Maverick masks the containment of visual pleasure.
-
Through the strategic use of narrative ellipses, Top Gun: Maverick deconstructs pre-Oedipal guilt. Top Gun: Maverick unpacks the plight of the migrant worker in post-war America through its conflicting duality of progress and humanity.
-
Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
The conflicting duality of progress and humanity in Top Gun: Maverick dichotomizes the post-war crisis of masculinity.
-
Through the use of telling jump cuts, Top Gun: Maverick unravels scopophilic tendencies of the viewer.
-
Top Gun: Maverick exposes shared fears of the post-Columbine epoch through its masking of narrative.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Through the conflicting duality of progress and humanity, Top Gun: Maverick questions the containment of visual pleasure.
- Through the conflicting duality of progress and humanity, Top Gun: Maverick questions the containment of visual pleasure.
🤮
-
Through the deliberate suppression of colors meant to signify passion, Top Gun: Maverick subverts the fascist aesthetic.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Through the expressionistic play between sound and history, Top Gun: Maverick hybridizes existentialist philosophy.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Top Gun: Maverick reveals critical seams in the disavowal of the female lack through its poetic use of tableaux.
-
Top Gun: Maverick masks suburban notions of containment through its use of mise-en-scene.
