Top Gun: Maverick
Movies and TV
- Through the conflicting duality of progress and humanity, Top Gun: Maverick questions the containment of visual pleasure.
🤮
-
Through the deliberate suppression of colors meant to signify passion, Top Gun: Maverick subverts the fascist aesthetic.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Through the expressionistic play between sound and history, Top Gun: Maverick hybridizes existentialist philosophy.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Top Gun: Maverick reveals critical seams in the disavowal of the female lack through its poetic use of tableaux.
-
Top Gun: Maverick masks suburban notions of containment through its use of mise-en-scene.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
Top Gun: Maverick fragments scopophilic tendencies of the viewer through its juxtaposition of poverty and nature.
-
Through the use of telling jump cuts, Top Gun: Maverick calls into question pre-Oedipal anxieties.
-
Or not 😀
-
The deliberate suppression of colors meant to signify passion in Top Gun: Maverick masks nativist arguments of the early-twentieth century.
-
The fluid identification of the viewer in Top Gun: Maverick dichotomizes scopophilic tendencies of the viewer.
-
The deliberate suppression of colors meant to signify passion in Top Gun: Maverick calls into question passive and active gaze.
-
Through the use of telling jump cuts, Top Gun: Maverick masks Bergman-esque assertions of the nature of humanity.
-
Top Gun: Maverick subverts the containment of visual pleasure through its conflicting duality of progress and humanity.
- Watching now! Follow the replies this post. I'll update this thread with my thoughts as I watch.
The use of telling jump cuts in Top Gun: Maverick launches visual salvos against order and chaos.
-
Top Gun: Maverick subjugates pre-Oedipal guilt through its strategic use of narrative ellipses.
-
Top Gun: Maverick unravels the subjugation of the individual in the face of the primacy of television through its use of telling jump cuts.
-
The use of implied depth-of-field in Top Gun: Maverick subverts the rise of currency and the loss of utopia.
-
The subversion of the male gaze in Top Gun: Maverick echoes the major pillars of post-feminism.
-
The binarism of light and racism in Top Gun: Maverick demystifies the achievement of a state of wholeness.
-
The expressionistic play between sound and history in Top Gun: Maverick reveals critical seams in passive and active gaze.
-
The strategic use of narrative ellipses in Top Gun: Maverick fragments the subjugation of the individual in the face of the primacy of television.
-
😉
-
Top Gun: Maverick launches visual salvos against the rise of currency and the loss of utopia through its frequent use of long takes.
-
Top Gun: Maverick reminds the spectator of the rise of currency and the loss of utopia through its masking of narrative 😁
- 😉
🤡
