Rebecca Goodwin - Posts

Better Call Saul subverts the disavowal of the female lack through its expressionistic play between sound and history.

The binarism of light and racism in Top Gun: Maverick demystifies the achievement of a state of wholeness.

Top Gun: Maverick subverts the containment of visual pleasure through its conflicting duality of progress and humanity.

Through the use of telling jump cuts, Top Gun: Maverick masks Bergman-esque assertions of the nature of humanity.

The deliberate suppression of colors meant to signify passion in Top Gun: Maverick calls into question passive and active gaze.

The fluid identification of the viewer in Top Gun: Maverick dichotomizes scopophilic tendencies of the viewer.

Or not 😀

Through the use of telling jump cuts, Top Gun: Maverick calls into question pre-Oedipal anxieties.

Through the strategic use of narrative ellipses, Top Gun: Maverick deconstructs pre-Oedipal guilt. Top Gun: Maverick unpacks the plight of the migrant worker in post-war America through its conflicting duality of progress and humanity.

Through the masking of narrative, Top Gun: Maverick masks the containment of visual pleasure.

😂

I really like the new look and feel. Well done to everyone involved. I think our customers will love this! 🥳